INTERVIEWS & ARTICLES.

“Filmmaker Irishia Hubbard,” A brief feature on Bakersfield.com highlighting the premiere of my film "F3VER" in Dance Camera West's project "Visibility: Self-Reflections," supported by a grant from KDA Creative Corps.

“Denton Black Film Festival Wraps Up 10th Year,” by Darin Kitt of The Star of Zion. Mentioned as an award-winner for the 2024 Denton Black Film Festival in Denton, TX.

“U of U dance students express gratitude for associate professor's Black History Research,” by Jamie McGriff, KUT. Interview regarding my experience as a graduate student and mentee of Joselli Deans, Ed.D. at the University of Utah and highlighted teaching engagement involved leading a musical theater jazz class for undergraduate modern dance students.

“Dance Camera West Awarded $255,000 Grant By The KDA Creative Corps,” by A.A. Cristi of Broadway World Los Angeles. Mention of the $40,000 grant I received for my documentary, F3VER.

“Irishia Hubbard reflects on Jacob’s Pillow dance fellowship,” by Emeri Fetzer. Interview about my experience as 2022 Jacob’s Pillow Hicks Choreographic Fellow.

“Donald McKayle's legacy is remembered through the resetting of his work, "Songs of the Disinherited," by Benjamin Sandberg of the University of Utah. Interview about my restaging of Donald McKayle’s work, Songs of the Disinherited, on dance students from the University of Utah School of Dance in Salt Lake City, UT.

“​​Dance Camera West Film Festival Meets the Moment,” by Shana Nys Dambrot of LA Weekly. Mentioned for the premiere of my film, Red Line, at Dance Camera in Hollywood, CA.

“Art for Life’s Sake: The Values in Arts Education,” by Brian Kisida and Angela LaPorte. Mentioned for my work as an educator for Turnaround Arts Network in Santa Ana, CA.

“Review: Smash Cut - LA BlakTinx Alumni Dances Made For Camera 2021”, by Jeffrey Slayton of the LA Dance Chronicle. Review of my film, Muscle Memory, for the 2021 BlakTinx Alumni Festival.

“The Daily Process Podcast Interview with Choreographer & Dancer - Irishia Hubbard”, by Samantha Gutowski and Natalie Myers of The Daily Process. Interview about my experience as an interdisciplinary artist.

“Review: BlakTinx Dance Festival Dancing on the Edge - Program Two”, by Jeffrey Slayton of the LA Dance Chronicle. Review of my piece, Sacred Matters, for BlakTinx Dance Festival’s Dancing on Edge show.

“Willard Dance Team Presents Walls,” by Turnaround Arts: California. Mention of my piece, Walls, presented at the Satellite Summit: A Long Conversation hosted by the Kennedy Center’s National Committee for the Performing Arts (NCPA) in partnership with the Wallis Annenberg Center for the Performing Arts.

“DAGDAG DANCE: BEAUTIFUL, ECLECTIC RITES OF PASSAGE,” by Mary Pat Cooney. Review of my commissioned piece, Continuum, for DagDag Dance Company in Los Angeles, CA.

“Dance, drama, and mariachi — schools use the arts as a 'turnaround' strategy,” by Linda Jacobson of K-12 Dive. Mention for my work with Turnaround Arts and Willard Intermediate School.

“Stellar HH11 Dance Festival Outshines Rain: Myriad Disciplines and Approaches Showcased In Two-Hour Program”, reviewed by Indy Staff of the Santa Barbara Independent. Mention of my piece, Sacred Matters, performed by The Hubbard Collective at HH11 Dance Festival in Santa Babara, CA.

Feature for my outreach program Shining Stars in the LA Times/Daily Pilot.

Feature for my outreach program Shining Stars in the OC Register.